By David Pantalony
Rudolph Koenig used to be one of many extra prolific and vibrant software makers within the popular nineteenth-century precision tool alternate of Paris. starting his occupation as a violin maker, in 1858 the younger Prussian immigrant shifted his abilities in the direction of the growing to be box of acoustics. Altered Sensations is a portrait of his bright atelier, a spot of building, trade and scan. For over 40 years it used to be additionally a favored assembly position for scientists, artisans, musicians and academics. utilizing archival and assortment learn from throughout North American and Europe, David Pantalony has traced the fabric and social impacts of this area at the improvement of contemporary acoustics. specifically, he has targeted the style during which Koenig changed, prolonged, unfold and challenged Hermann von Helmholtz's Sensations of Tone.
A huge a part of the learn on Koenig comes from the particular items of his workshop which continue to exist in museums and collections world wide. the second one component to Altered Sensations presents a listing Raisonné of Koenig’s whole line of tools, together with their background, info from particular examples, destinations, and references within the literature. This catalogue will function a pragmatic advisor for curators and researchers in addition to a finished review of nineteenth-century acoustical perform.
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Altered Sensations: Rudolph Koenig’s Acoustical Workshop in Nineteenth-Century Paris: 24 (Archimedes) by David Pantalony